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Spring, 1997
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Editorial policy: I have to like it a lot. --Luke Breit |
Copyright Policies
All materials published by In Sublette's Barn are the property of their
creators and fully protected by U.S. Copyright laws. Copyright
protects original works of authorship that are fixed in a
tangible form of expression and is automatically in effect the
moment an original work is "put on paper." By proceeding forward
you are acknowledging an understanding that all materials herein
are the sole property of their authors.
Window . . . by Layne Russellteacher . . . by Layne Russell
Three Poems for Judi Bari . . . by Robin Rule
The Sweet Tongue of a New Lover . . . by James Lee Jobe
Of History and Hope . . . by Miller Williams
Two Poems by Layne Russell
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Layne Russell will be reading with Luke Breit
on Monday, May 5, 7pm at Duke's Coffee Gallery, 2416 16th St., Sacramento.Window
We bathe in side by side
old white bathtubs
with delicately curved claw feet.
Laughing, I lean and look at you
through white bubbles.
You're covered with bubbles too,
your smiles as big as the tub.
We walk in evening air,
going nowhere.
I see your strong artist's hands
and feel your size next to me.
I find scallopped autumn leaves in a pile,
fill my arms with them,
their crisp color rustling,
move them to dark waiting soil.
You watch.
I want to tell you what I see in you,
but your eyes are as full as mine;
we choose stillness.
I wake before the sun rises;
my heart sinks softly into
the quiet sky outside my window.
My mind has played its trick again.
That was not my life,
and yet it is:
dreams do not lie.
A smooth old river fills my body,
washes through.
I lie in the love of you,
you who are a part of me,
and start to slip
into samadhi.
© 1996 Layne Russell
teacher
(for Eugene Rude)
Mr. Rude was not rude,
in fact,
he laughed through
his large dark eyes,
and we all laughed with him.
black hair, slicked back just so,
tall,
and that large nose.
those eyes filled with light.
he wrote plays and
the kids played the parts.
we put them on for the school.
I said my lines from a swing
framed by burgundy velvet curtains.
kids all over the swing set,
the stage filled with his lines.
laughter roared through the
auditorium.
it was all his doing.
he told me,
I will be watching,
you will hear from me.
four years later,
high school graduation,
his telegram comes.
he always kept his word.
thirty six years later,
I dream a dream of Mr. Rude.
I see the fire in the eyes,
hear the laughter.
I think of swing sets, stages,
Shakespeare, Cyrano,
writing stories, poems,
haiku,
how he believed in me.
teacher among teachers,
what he gave,
in these lines
© 1997 Layne Russell
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Three Poems for Judi BariBy Robin Rule
As Dan splits wood for your fancy new stove,
your father walks out to thank him for warmth
in a chilly evening that twists the heart
with more than a drop in the centrigrade.
I'm eighty-four, my daughter's forty-seven,
I can't stand it... Judi, the pride-and-joy girl
who drove at sixteen, smart-mouthed her folks
and believed to the end in everything
they fought for, long before she was even born.
**********
Jeez, woman, your dopey eyes and weak smile
at Mary's bouquet is gonna tear me up...
This Friday night looks like all good-bye
and yet my lips on your hand sense the strength
of seeds... Truth: I worry about your girls.
Do they know about Spring; can they imagine
the falling of leaves, the turning of soil...
Dare: do they dream the birth of some things
we work for: Headwaters and a small garden...
**********
What is this moment that strips the morning
of all light and heat? There is no fire
complete to warm these cold bones of anger.
It may snow tonight; I won't feel the chill.
Your suit of clothes laid out nice like for church,
your hair against pillow, burnished by the brush,
your quilt just-so over your face, is not enough...
Dan has built a bonfire to heaven
from Babel, as I load the woodstoves up.
© 1997 Robin Rule
The Sweet Tongue Of A New Lover
By James Lee Jobe
I am an old lion, except for my body, which is koala-like and singular. The fork lifts and falls, lifts and falls, leading to obesity. Under the table the flea stares at my foot, considers leaping, then moves on.
My spirit rises up each night, a flame over Nebraska, rain that rakes the ground raw. I am an old wind that shrivels the prairie, or a tumbleweed, or the moon that never tires. How can you measure me?
So what if the sign falls from one hinge? So what if our trees cry all night for the bored grass to hear? I am the dream that saved Guenevere! I am the frost that rotted the old rope your father tied to the black dog's neck! I am released!
It is cold here. Move in close, against me. Feel how warm I am, like Achilles' sandal, close to the wound. It is a long time till true summer, and I kiss you twice, first with the sweet lips of a child, then with the sweet tongue of a new lover.
© 1997 James Lee Jobe
Of History and HopeBy Miller Williams
on the inauguration of William Jefferson Clinton as President of the United States We have memorized America,
how it was born and who we have been and where.
In ceremonies and silence we say the words,
telling the stories, singing the old songs.
We like the places they take us. Mostly we do.
The great and all the anonymous dead are there.
We know the sound of all the sounds we brought.
The rich taste of it is on our tongues.
But where are we going to be, and why, and who?
The disenfranchised dead want to know.
We mean to be the people we meant to be,
to keep on going where we meant to go.
But how do we fashion the future? Who can say how
except in the minds of those who will call it Now?
The children. The children. And how does our garden grow?
With waving hands -- oh, rarely in a row --
and flowering faces. And brambles, that we can no longer allow.
Who were many people coming together
cannot become one people falling apart.
Who dreamed for every child an even chance
cannot let luck alone turn doorknobs or not.
Whose law was never so much of the hand as the head
cannot let chaos make its way to the heart.
Who has seen learning struggle from teacher to child
cannot let ignorance spread itself like rot.
We know what we have done and what we have said,
and how we have grown, degree by slow degree,
believing ourselves toward all we have tried to become --
just and compassionate, equal, able and free.
All this in the hands of children, eyes already set
on a land we never can visit -- it isn't there yet --
but looking through their eyes, we can see
what our long gift to them may come to be.
If we can truly remember, they will not forget.© 1997 Miller Williams
Those ThreeBy Jack Hirschman
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Photo of Jack Hirschman by Sara Menefee
Those three were friends
Now Willy isn't even
and Judy isn't whole
and Blue is jumping from
herself downtown in jail
I know Willy was longshore
Sweet Willy he was called
I know somewhere in there
they were all friends
till things got fouled
All of us idiotic
ever since Nam
Look what it's done to Willy
Look what to you, ma'm
and as for Blue, damn,
I don't want to rush to judgement,
they were friends, those three
murdered by violence
long before they were tied
to the violent tree
I'll raise one for Sweet Willie
who lived in my home port.
It's the season of the birth
of compassionate earth.
I'll leave it at that.© 1996 Jack HirschmanDecember 21, 1996
when a lover leaves youBy Kerry Campbell
an earthquake is
a silent
rolling thing
comes upon you
sleeping
the afternoon warmth
without birds
flat horizon
against low azure sky
stalks smoothly
in the wild grasses
outside town limits
there is no rumble
no loud shake
only a soft sigh
long muffled moan
the earth belly side up
rolling away like hills
© 1996 Kerry Campbell
In Sublette's Barnby William Stafford
Sublette moved up the Cimarron alert
all day for hostiles; he feared what he was finding:
no one had reported this place; once you made
camp it was time to move--it soon felt old.
He had always been the kind of man who had
the kind of horses that would turn
to look at you. In talk he listened to the current,
not the words. Now, he heard something in the country.
Maybe he had listened too long.
His friends had scattered, far valleys, not anywhere
the right place--how could it be?--or the wrong either:
Scatter. But for him the earth had lent itself, was
always his. Steady now, he still did not start any bluff moves:
what would happen was what he would intend, though the world
would swerve sometime, and his hand would miss the handle.
By his campfire, his own tea--warm or cool--was what he would
deserve. He carried an extra cup.
But he was lost a new way that winter, began to find
tracks he could read better and better, till all
he found went out and intensified the valley:
he came around the Cimarron breaks into a land that
began to tense itself all day for deliberate snow.
He camped there well but was afraid: once that place
was found, the West had come; no one could undiscover it.
Like a badger by that stream--so strong the trap that
grabbed his feet was bent, with his teeth grooved on everything
he bit, and miles ringed all around, so target was the place,
where--now--the sky kept saying out and out because
its color would never be at all but what it was--he took
his paw back from the steel, and watched the trap.
The river stopped, for him; the clouds were holding
there: Sublette's big valley crossed by trails that
surfaced under a round reminder of gold or copper sun,
shimmered toward him. He looked across a place the air
filled--saved only by his weakness, forms of monotony, meanings
that made the world regular enough to offer choices.
He had not stopped until the West climbed in at him;
but now it was the last available ranch, a place that still says:
You never told a friend, even, a lie. YouHeld where the sky touched land along the edge,
never tried for the good feeling you get from overvaluing
something that's yours--indulgence that seems austere.
It is not. You were the one who always began on the level part,
forth on a line trued for accepted real things,
looking across the prairies a rod of steady light.
his trail encountered all his eye grooved, and went on.
Reluctant hero, he had let one deed at a time take him;
then where he was, was everywhere: the kind of trip he
took turned into carving; the knifeblade led, the hand
reluctant but so steady it was always at the place
it should be and with force as if the earth turned
for his body and the light held back until his eyes
met it, all equal, all come right at once.
His fate was righteousness.
That was his land, but no one there to know. By
following him we blunder into it. Here now, fall or winter,
anytime, it's here. You move your hand across
till the fingers frame a certain line trees make by the
river always there: that's the way the man Sublette became.
Reluctantly he found and kept on finding himself the man
the land meant. It subsided and became a state.
Now snow terms are imposed for us; the wind climbs
around the barn. Eyes level--rafter, higher, window
defense above the storm--we climb, years of soft dust
molded--rafter, stanchions, haymow. No one can sound
the deep rope to those days, hold level the wide ranch
that swung in his life in his mind, Sublette's held level
way, no undeserved lunge in his kind of gaze.
What he kept may fit a box put carelessly away,
but he heard some string that sang the wilderness,
monuments that pledge the rock they come from,
statues that regret their edge--and it all goes on.
Surveillance--his assignment--brings him back to us;
our work is to forget in time what if remembered might block
that great requirement which waits on its wide wings: the
wilderness. That man--fugitive from speed, antagonist of greatness--
comes here quietly still lost, trying to tell us what he means.
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